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“Fever Beach” is a wacky blend of Floridian farce and the perverse politics of our time.

In “Fi,” Alexandra Fuller describes the sudden death of her 21-year-old.

As recounted in Jennet Conant’s biography, Marguerite Higgins played the high-stakes game of journalism in a man’s world.

An experiment in digital disengagement prompts Kyle Chayka to consider how technology has narrowed our choices and dulled the culture.

“Finish What We Started,” by the journalist Isaac Arnsdorf, reports from the front lines of the right-wing movement’s strategy to gain power, from the local level on up.

In “Fire Exit,” a white man raised on a reservation wrestles with whether he should reveal to his daughter the complications of her heritage.

In “Fire Exit,” a white man raised on a reservation wrestles with whether he should reveal to his daughter the complications of her heritage.

In the memoir “Firstborn,” Lauren Christensen writes about losing the daughter she was expecting.

In “Fixer,” his second collection, the poet Edgar Kunz demonstrates a hard familiarity with the gig economy.

“Flashlight,” by Susan Choi, spans several decades and nations to tell a story of exile in its multiple forms.