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In “Dark Laboratory,” Tao Leigh Goffe traces the origins of global environmental collapse to the explorer’s conquest of the Caribbean.

Samrat Upadhyay’s new novel, “Darkmotherland,” is a sprawling epic in which a natural disaster gives way to an authoritarian takeover.

In Rupert Thomson’s new novel, “Dartmouth Park,” the sound of a mundane beep triggers in one man what may be either a revelatory metaphysical journey or a bout of male existential angst.

In Claudia Dey’s novel “Daughter,” Mona’s adulterous father claims her as his sole confidante, with dire consequences.

Inspired by her grandmother, Eve J. Chung’s lively novel, “Daughters of Shandong,” traces a harrowing journey across 1950s Communist China.

In her entrancing, disturbing “Daughters of the Bamboo Grove,” Barbara Demick traces the wildly divergent paths of twins born in China under the one-child rule.

Michael Cunningham’s “Day” peeks into the lives of a family on one specific April date across three years as life changes because of Covid and other challenges.

In her new novel, “Dead in Long Beach, California,” Venita Blackburn explores the chaos of mourning by following a woman who stumbles into an ethically dubious way to cope with loss.

Virginie Despentes confronts sexual politics in an epistolary novel with a stubbornly idealistic streak.

“Dear Sister” and “My Side of the River” tell vastly different stories about ordinary people looking back on extraordinary circumstances.