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In “Family Meal,” the author follows the jagged reunion of two former best friends, each grappling with grief and complicated relationships.

Jean Strouse’s brisk, wise “Family Romance” takes on the painter’s relationship to the Wertheimers, a vast Jewish clan he immortalized on canvas.

In “Fat Leonard,” Craig Whitlock investigates one of the worst corruption scandals in U.S. military history.

Jonathan Raban’s “Father and Son” is a memoir of illness and recovery paired with a parental history.

“Fear Is Just a Word,” by the New York Times reporter Azam Ahmed, tells the story of a woman determined to avenge her daughter’s death at the hands of a drug cartel.

“Fearless and Free,” recorded between 1926 and 1949, is full of heroism, glamour, righteous anger — and things you wish you could unsee.

In “Feast While You Can,” two women who have long been nemeses rely on each other to face an ancient terror that has re-emerged.

Misery makes for good company in Shalom Auslander’s second memoir, which finds him self-deprecating, drug-dabbling, envious and, oy, middle-aged.

In “Ferris,” a girl and her grandmother are visited by a friendly ghost; in Erin Entrada Kelly’s “The First State of Being,” a boy is visited by a time traveler.

Toby Lloyd centers religion and politics in his novel, “Fervor,” but with a light, mystical touch.