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In Franziska Gänsler’s novel, “Eternal Summer,” a tenuous bond forms between strangers stranded in a hotel as the world burns.

Cat Bohannon’s “Eve” is an opinionated clapback against centuries of male-centric evolutionary history.

Sergio De La Pava’s novel “Every Arc Bends Its Radian” is a detective story that takes a strange turn in Colombia’s dark underbelly.

Jason Roberts tells the story of the scholars who tried to taxonomize the world.

The filmmaker’s new memoir, “Every Man for Himself and God Against All,” prompts a critic’s incredulity.

John Adams reviews “Every Valley,” Charles King’s new book about the artistic, social and political forces surrounding one of the greatest pieces of music ever created.

In “Everyone Who Is Gone Is Here,” Jonathan Blitzer connects the dots between U.S. foreign policy in Central America and the migrant crisis.

In “Everything Is Now,” J. Hoberman recreates the theater, film and music scenes that helped fuel the cultural storm of the ’60s.

A new book by the British cultural journalist Dorian Lynskey chronicles our centuries-old obsession with doomsday scenarios.

In “Everything/Nothing/Someone,” Alice Carrière recalls her coming-of-age as the daughter of artists, and her eventual slip into dissociative disorder.