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As his new memoir demonstrates, he himself would achieve fame as a visual artist, filmmaker, TV host and formative tastemaker.

In “Everyone Who Is Gone Is Here,” Jonathan Blitzer connects the dots between U.S. foreign policy in Central America and the migrant crisis.

In “Everything Is Now,” J. Hoberman recreates the theater, film and music scenes that helped fuel the cultural storm of the ’60s.

The pioneering photographer André Kertész is the subject of a new book by Patricia Albers.

A new book by the British cultural journalist Dorian Lynskey chronicles our centuries-old obsession with doomsday scenarios.

In “Everything/Nothing/Someone,” Alice Carrière recalls her coming-of-age as the daughter of artists, and her eventual slip into dissociative disorder.

In a new memoir, the filmmaker and playwright shares his opinions on Hollywood past and present.

A young telephone company operator finds herself in the dark underbelly of the Me Decade in Claire Oshetsky’s “Evil Genius.”

R.O. Kwon’s second novel, “Exhibit,” sees two Korean American women finding pleasure in a bond that knits creative expression and sadomasochism.

In Mason Coile’s new book, the first human settlers on Mars arrive only to find that their helper robots have gone off script.