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A new biography of the French Impressionist argues that Monet himself owed everything to the three most important women in his life.

A new book by the journalist Katherine Stewart finds a far-right movement seething in resentment, suspicious of reason and determined to dominate at all costs.

His new graphic novel, “Monica,” is a mother-daughter tale steeped in counterculture and cataclysm.

In Frankie Barnet’s novel, “Mood Swings,” two young women work to craft meaningful lives as society collapses around them.

In “More Everything Forever,” the science journalist Adam Becker subjects Silicon Valley’s “ideology of technological salvation” to critical scrutiny.

In “Morning After the Revolution,” an attack on progressive activism, the journalist Nellie Bowles relies more on sarcasm than argument or ideas.

In “Most Delicious Poison,” Noah Whiteman explores nature’s fine line between killing and curing.

Kevin Sack chronicles the Charleston, S.C., congregation that was the target of a brutal 2015 hate crime, and the church’s central role in the larger saga of the South.

In Adam Haslett’s “Mothers and Sons,” crisis reconnects an asylum lawyer and his estranged mother, the co-founder of a women’s retreat.

Hannah Stowe grew up in coastal Wales, dreaming of a life on the ocean. Her memoir, “Move Like Water,” recounts how she pursued her passion.