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In her new novel, “Leaving,” Roxana Robinson reunites a former couple. One of them is divorced; the other is still married. What now?

In “Legacy,” Dr. Uché Blackstock writes about losing her pioneering physician mother and the pervasive health woes of Black Americans.

The illustrator of classic children’s books like “Frederick” and “Swimmy” was also a painter, sculptor, graphic designer and more.

In her elegant essay collection, “Lessons for Survival,” Emily Raboteau confronts climate collapse, societal breakdown and the Covid pandemic while trying to raise children in a responsible way.

“Let Us Descend,” by the two-time National Book Award-winning novelist, takes its title from the “Inferno” and its subject from American history.

A new collection of personal letters tracks the neurologist’s raucous self-discovery and venerable career.

The aggrieved wife who narrates Sarah Manguso’s novel “Liars” may or may not be a reliable source about her monster of a husband.

A massive, two-volume coffee table book revisits the heyday of classic Hollywood glamour as seen in Life magazine.

In Stephen Kearse’s new novel, “Liquid Snakes,” two epidemiologists race to stop a grieving biochemist who has been killing people after the stillborn death of his daughter.

“Literary Theory for Robots,” by Dennis Yi Tenen, a software engineer turned literature professor, shows how the “intelligence” in artificial intelligence is irreducibly human.