NYT Books

Andrea Bartz was disturbed to learn that her books had been used to train A.I. chatbots. So she sued, and helped win the largest copyright settlement in history.

In a new biography, “It Girl,” the journalist Marisa Meltzer makes a case for the doe-eyed style icon as more than a muse.

To write “Paper Girl,” Beth Macy returned to Urbana, Ohio, documenting the descent of a once flourishing town into entrenched poverty and acrimony.

The genre — characterized by Gothic intrigue and a liberal arts aesthetic — grew out of Donna Tartt’s cult favorite campus novel, “The Secret History.” Here’s where to start.

Freed after 14 months, Eli Sharabi learned that his family didn’t survive the Oct. 7 attacks. “Hostage” is testimony to his suffering and his hope.

As Kate DiCamillo’s beloved novel celebrates a big milestone, Holly Goldberg Sloan’s “Finding Lost” echoes its themes.

Novels by Karen Russell and Bryan Washington are among those vying for the award in fiction, while books about Gaza, foster care and women in Russia are up for the nonfiction prize.

The novelist Richard Osman talks about his best-selling series, which stars a team of crime-solving retirees.

Cory Doctorow’s new book looks to offer comfort, and solutions, to the inescapable feeling that digital platforms have gotten worse.

“Black Arms to Hold You Up,” the latest salvo from the award-winning cartoonist Ben Passmore, merges of-the-moment urgency with historical fact.