NYT Books

The stories in her new collection deal in jagged emergencies and in wounds both physical and psychic.

In “Empire of Ink,” Alex Wright describes how newfangled technologies and disruptive personalities have regularly unsettled the American media.

The show, which revisits the story of a marmalade-loving bear, plans to open next April at the Hirschfeld Theater in New York.

Fascinating if overstuffed, Amitav Ghosh’s “Ghost-Eye” connects the mystifying case of a girl in Calcutta to the global climate crisis.

With his haunting images of steam locomotives, steel mills and Midwestern farms, the celebrated lensman revealed the poetry in the artifacts of manual labor.

She wrote some 450 books, including novels, poetry and nonfiction in many genres. One critic called her “a modern equivalent to Aesop.”

In “The Nord Stream Conspiracy,” the investigative journalist Bojan Pancevski tells a high-stakes international war story in blockbuster prose.

Leaning on a rich written record, the graphic novelist Tillie Walden used nearby resources to visualize the true story of seamstresses who shared a home for decades.

Her debut novel taps into a microgeneration’s blurring of performance and reality.

Elizabeth Stordeur Pryor’s new book, “Something We Said,” is at once a memoir and a history of a racial slur.