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Colin Barrett’s first novel, “Wild Houses,” follows young, desperate characters in small-town Ireland.

In “Wild Thing,” Sue Prideaux draws on recently discovered source material, delivering an enthralling account of an artist whose life was as inventive as his art.

In Mason Coile’s new horror novel, “William,” an intelligent robot begins to lead its feckless creator to terrible places in the name of “freedom.”

Jonny Steinberg tells the story of Nelson Mandela and Winnie Madikizela-Mandela at a moment when a new generation is reassessing their legacies.

Grady Hendrix’s new novel, “Witchcraft for Wayward Girls,” is a timely look at the mistreatment of women, with a dose of horror, monsters and magic.

In “With Darkness Came Stars,” the photorealist Audrey Flack offers a vivid, gossipy chronicle of her career among some of New York City’s most famous artists.

In his new story collection, Jamel Brinkley investigates the impact of seeing and being seen.

In his unsparing novel “Wolf at the Table,” Adam Rapp observes a household in denial about the dark force growing up in its midst.

Tracy O’Neill’s memoir, “Woman of Interest,” recounts her yearlong quest, which culminates in a trip to Korea.

In a chronicle laced with memoir, Nancy A. Nichols explores how the automobile has provided both freedom and dangers for female motorists.