“Pay the Piper,” a manuscript by George A. Romero, the director of classics like “Night of the Living Dead,” was incomplete. Daniel Kraus, who studied Romero’s oeuvre, gave it a fitting finish.
“They’re snapshots of the past: first-night gifts, holidays abroad, memories of lost friends and loved ones,” the award-winning actress says. Her latest, written with Brendan O’Hea, is “Shakespeare: The Man Who Pays the Rent.”