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“Finish What We Started,” by the journalist Isaac Arnsdorf, reports from the front lines of the right-wing movement’s strategy to gain power, from the local level on up.

In “Fire Exit,” a white man raised on a reservation wrestles with whether he should reveal to his daughter the complications of her heritage.

In “Fire Exit,” a white man raised on a reservation wrestles with whether he should reveal to his daughter the complications of her heritage.

In the memoir “Firstborn,” Lauren Christensen writes about losing the daughter she was expecting.

In “Fixer,” his second collection, the poet Edgar Kunz demonstrates a hard familiarity with the gig economy.

“Flashlight,” by Susan Choi, spans several decades and nations to tell a story of exile in its multiple forms.

Alexis Soloski’s new thriller follows the evolution, and erosion, of a young performer ensnared in a cultlike theater troupe.

In “Flight of the WASP,” the inveterate dirt-digger Michael Gross gives America’s elite families the white-glove treatment.

In “Flirting With Danger,” Janet Wallach tells the story of Marguerite Harrison, who traded a life of privilege to become America’s first international female spy.

In “Flores and Miss Paula,” Melissa Rivero takes readers inside a Brooklyn apartment where family ties are uncomfortably snug.