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Abandoned by both her mother and a really bad ex, the 25-year-old narrator of “Gingko Season” avoids her own traumas by focusing on grand historical ones.

Craig Thompson’s new book revisits his upbringing on a farm in rural Wisconsin, and the farmers — both American-born and not — who made up his community.

In “Girl on Girl,” Sophie Gilbert makes a searing case that trends from the 1990s and 2000s, online and off, damaged young women in deep, dark ways.

The Norwegian author Linn Ullmann’s new novel pieces together fragments of a trip she took to Paris at the request of a much older photographer.

“Girls and Their Monsters,” by Audrey Clare Farley, recounts the tragic story of the Genain sisters, seeing the subjects at the crossroads of psychiatric and societal forces.

In “Glad to the Brink of Fear,” James Marcus frames the great Transcendentalist as a writer for our times.

Ali Smith’s latest novel, “Gliff,” infuses a Y.A. plot with her distinctive verbal magic.

In Ferdia Lennon’s charming debut, “Glorious Exploits,” Athenian prisoners stage Euripides for their wine-swilling, foul-mouthed captors.

Marisa Meltzer’s “Glossy” recounts the millennial makeup company’s dewy rise and unglamorous plateau.

An enchanting work by Italy’s foremost living children’s author is finally available in English.