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In Emma Straub’s latest novel, “American Fantasy,” a pop group’s midlife return provides fodder for both comedy and redemption on the high seas.

Jessica Roy’s “American Girls” traces the divergent fates of two sisters through a saga of poverty, misogyny, abuse and terrorism.

“American Gun,” by Cameron McWhirter and Zusha Elinson, recounts the grim history of the AR-15 rifle in unvarnished detail.

“American Men,” by Jordan Ritter Conn, and “Who Needs Friends,” by Andrew McCarthy, report from the front lines of the epidemic of male loneliness.

In “American Reich,” the former New York Times journalist Eric Lichtblau dissects the culture of hate that led to the death of a gay man in Southern California.

As Katie Rogers writes in “American Woman,” Jill Biden and other recent spouses are still locked in a role unlikely to change until the presidency does.

“Among Friends” is a history of an industry transformed by consolidation and shifting tastes.

Max Marshall’s “Among the Bros” investigates a multimillion-dollar crime network among fraternity brothers at the College of Charleston.

Taken together, two new books tell the century-long story of the revolutionary ideals that transformed the United States, and the counterrevolutionaries who fought them.

A new book surveys a range of creative output, collectively replacing outdated narratives of Indigenous cultures with the perspectives of the artists themselves.