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The narrator of Ada Calhoun’s autofictional “Crush” strives toward “holiness” — in an extramarital affair.

Rather than bemoan pop culture’s most divisive genre, Emily Nussbaum spends time with the creators, the stars and the victims of the decades-long effort to generate buzz.

In “Culture Creep,” Alice Bolin considers the connections between corporate thought control, femininity, pop culture and the computer age.

In “Cunning Folk,” Tabitha Stanmore takes us back to a time when the use of “service magic” was an everyday — and underground — practice.

In the essay collection “Dark Days,” Roger Reeves tries to sidestep mainstream arguments to engage deeply with the way people actually live and think.

In “Dark Laboratory,” Tao Leigh Goffe traces the origins of global environmental collapse to the explorer’s conquest of the Caribbean.

Samrat Upadhyay’s new novel, “Darkmotherland,” is a sprawling epic in which a natural disaster gives way to an authoritarian takeover.

In Rupert Thomson’s new novel, “Dartmouth Park,” the sound of a mundane beep triggers in one man what may be either a revelatory metaphysical journey or a bout of male existential angst.

In Claudia Dey’s novel “Daughter,” Mona’s adulterous father claims her as his sole confidante, with dire consequences.

Inspired by her grandmother, Eve J. Chung’s lively novel, “Daughters of Shandong,” traces a harrowing journey across 1950s Communist China.