NYT Books

“Empire of the Elite,” by Michael M. Grynbaum, is a story of (mostly) insider-outsiders who helmed the glossiest American magazines in their heyday.

A master of spoken-word performance, Gibson insisted that poetry, especially when read aloud to an audience, was a political act.

A poet and memoirist as well, she drew a wide readership with her historical fiction, notably with a post-Civil War tale that was adapted for a movie starring Tom Hanks.

David Gate has a popular following online, but his best poems suggest he’s not entirely comfortable as an influencer.

The Alaska lawmaker was given a copy when first appointed to the Senate in 2002 and it’s still on her bedside table. “Far From Home” is her new memoir.

He startled critics, readers and the book industry in 1981 with a novel set in the Soviet Union that had a flawed detective as its antihero.

“Bonding,” by Mariel Franklin, is a love story charged by the absurdities of a market-driven culture.

The crossover genre blending the passion of romance with the high-stakes escapism of fantasy has dominated the literary landscape. Here’s where to start.

Proposed legislation would pressure publishers to adjust borrowing limits and find other ways to widen access.

In Kerry Cullen’s uncanny debut, “House of Beth,” a queer 20-something finds that “straight” life comes with serious strings (and spirits) attached.