NYT Books

Waiting for readers of Diana Gabaldon’s series to see the episode is “exciting and nerve-racking,” says its star, who wrote five books during its 12-year run.

“A World Appears” explores what makes you you.

“Field Notes From an Extinction,” by Eoghan Walls, follows a naturalist who wants to study birds but ends up with a much harder task.

In “Reproductive Wrongs,” the classicist Sarah Ruden traces efforts to exert political control over family planning back 2,000 years.

Cynthia D’Aprix Sweeney’s new novel, “Lake Effect,” is the latest in a specific contemporary subgenre: “Four Adult Siblings Reconvene to Rehash Their Privileged but Fraught Adolescence.”

A new book by the journalist Beth Gardiner argues that oil companies are upping production of the material as a safeguard against falling revenue.

Ivana Sajko’s novel “Every Time We Say Goodbye” explores personal and political crises in lengthy, lyrical sentences.

For Bethany Collins, Herman Melville’s novel is rife with centuries-old political anxieties that still resonate today.

Novels by Tana French, Yann Martel and Cat Sebastian; memoirs by Christina Applegate and Liza Minnelli; a Judy Blume biography and more.

In the stage versions of two beloved books, the most impressive moments emerge when the productions stray from the source material.