NYT Books

In a new memoir, the actor who couldn’t shake his breakthrough role on “Full House” talks about honesty, sobriety and his grief over Bob Saget’s death.

Skip “The Exchange,” our columnist advises, and pick up “The Plinko Bounce” or “The Last One” instead.

Shedding the concept “completely strikes at our sense of identity and autonomy,” the Stanford biologist and neuroscientist argues. It might also be liberating.

The new book by the Philippine journalist Patricia Evangelista recounts her investigation into the campaign of extrajudicial murders under former President Rodrigo Duterte.

“Remember Us” recalls the fires of 1970s Bushwick. “Gone Wolf” begins in a 2111 Southern breakaway nation after a second Civil War.

His second book, “Blackouts,” a finalist for the National Book Award, shifts between fact and fiction to tell an intergenerational story.

The prize’s organizers cited the Israel-Hamas war as the reason for stepping back from an event honoring a novel about the 1949 murder of a Palestinian girl by Israeli soldiers.

His new novel, “Tremor,” uses images and artifacts to look deeply into trauma, identity and consolation.

“Tremor,” his first novel in over a decade, is set in Massachusetts and Lagos, and came from a desire to capture the last moments of a pre-Covid world.

Kelsey Norris’s “House Gone Quiet” and Justin C. Key’s “The World Wasn’t Ready for You” share an interest in the ways that being bound shapes our understanding of freedom.