NYT Books

“Remember Us” recalls the fires of 1970s Bushwick. “Gone Wolf” begins in a 2111 Southern breakaway nation after a second Civil War.

His second book, “Blackouts,” a finalist for the National Book Award, shifts between fact and fiction to tell an intergenerational story.

The prize’s organizers cited the Israel-Hamas war as the reason for stepping back from an event honoring a novel about the 1949 murder of a Palestinian girl by Israeli soldiers.

His new novel, “Tremor,” uses images and artifacts to look deeply into trauma, identity and consolation.

“Tremor,” his first novel in over a decade, is set in Massachusetts and Lagos, and came from a desire to capture the last moments of a pre-Covid world.

Kelsey Norris’s “House Gone Quiet” and Justin C. Key’s “The World Wasn’t Ready for You” share an interest in the ways that being bound shapes our understanding of freedom.

Adam Thirlwell’s “The Future Future” follows a 19-year-old socialite through a prerevolutionary Paris that looks suspiciously like our present day.

“I Love Russia,” a collection of Elena Kostyuchenko’s reporting over the past 15 years, captures the lives of ordinary, often struggling, people in far-flung parts of the country.

In “The Lumumba Plot,” the Foreign Affairs editor Stuart A. Reid asks whether the Central Intelligence Agency was involved in the death of one of Africa’s most famous post-colonial politicians.

Fuchsia Dunlop’s “Invitation to a Banquet” is a cultural investigation of an impossibly broad and often misunderstood cuisine.