NYT Books

Gabrielle Hamilton’s new memoir, “Next of Kin,” lacks the visceral shock and searing vision of her prior work.

His blunt debating and imaginative theorizing about artificial intelligence and the human mind made him a leading scholar. But sexual-harassment allegations ended his career.

In “The Unveiling,” a tortured film location scout is haunted by a traumatic past and a supernatural present.

After winning the Nobel Prize for her searing portraits of the Soviet world unraveling, Svetlana Alexievich worries about the revival of its violent, anti-democratic ways.

Her life and work were shaped by confronting injustice in South Africa and Germany. “Blacks under apartheid — Jews under the swastika. Was it all that different?” she asked.

After winning the Nobel Prize for her searing portraits of the Soviet world unraveling, Svetlana Alexievich worries about the revival of its violent, anti-democratic ways.

The devil, Prada-clad or not, stays on the periphery of Caroline Palmer’s “Workhorse,” a novel about an ambitious assistant at a Vogue-like publication.

In “Splendid Liberators,” Joe Jackson presents the U.S. wars in Cuba and the Philippines as part of a misguided project to spread freedom across the world.

He won the Nobel Prize in Literature for books often called bleak and challenging. But they’re also comical and deeply human.

​The prize committee said the Hungarian writer’s work “reaffirms the power of art.”