NYT Books

With her new book, “Children of Anguish and Anarchy,” Adeyemi is wrapping up her best-selling Legacy of Orïsha series. The journey hasn’t been easy.

In “The Material,” Camille Bordas imagines the anxious hotbed where the perils of being a college student and the perils of being funny meet.

After getting her start by self-publishing, Freida McFadden is now the fastest selling thriller writer in the United States.

Starring an undergraduate student at Oxford, Rosalind Brown’s debut novel is exquisitely attuned to the thrill and boredom of academic life.

Santiago Jose Sanchez’ debut novel, “Hombrecito,” follows a young immigrant as he grows up in the United States, struggling to identify with a masculinity he’s never felt and a country he never knew.

In “The Friday Afternoon Club,” the actor and director recalls his years growing up around performers, writers and the Hollywood set.

After an $80 million expansion, the Folger Shakespeare Library is reopening with a more welcoming approach — and all 82 of its First Folios on view.

In her new novel, “Sandwich,” Catherine Newman explores the aches and joys of midlife via one family’s summer week at the beach.

In her latest book, Olivia Laing makes an impassioned case for the garden — as repository of natural beauty, as democratic ideal, as writerly inspiration.

For young magazine readers with literary pretensions, it wasn’t just our best option; it was our only option.