NYT Books

Keefe’s narrative history, which was No. 19 on our list of the 100 Best Books of the 21st Century, has now been adapted into a streaming series.

“Lazarus Man” follows several characters in Harlem in the wake of a building collapse.

Yang Shuang-zi’s “Taiwan Travelogue,” a National Book Award finalist, is a nesting-doll narrative about colonial power in its many forms.

In Julie Flett’s “Let’s Go! haw êkwa!” and Kirsten Cappy and Yaya Gentille’s “Kende! Kende! Kende!” going is just the beginning of a whole new world.

In the last year, museums, book festivals, arts journals and other organizations have experienced bitter discord over what qualifies as tolerable speech about the conflict and its combatants.

Percival Everett’s “James” is the favorite for the prestigious literary award. But the likes of Rachel Kushner’s “Creation Lake” or Samantha Harvey’s “Orbital” could take the prize instead.

In his novel “States of Emergency,” Chris Knapp doesn’t just tighten the distance between our inner lives and the world around us; he erases it.

Recent books by Minsoo Kang, Margaret Killjoy and James S.A. Corey.

Our columnist on new books by David McCloskey, Sarah Sawyer and Ragnar Jónasson.

“It is perhaps the most relaxing thing that I’ve ever done,” says the actress, whose new book of essays is “Lifeform.” She thanks her own mother for the gift of Margaret Atwood.