NYT Books

Feigned love leads to real connections in these funny, joyful and deeply romantic books.

“I try to fight this lamentable tendency,” he says, but now reads more nonfiction than fiction. “Odyssey” is the fourth in his series on Greek mythology.

Heather Clark’s debut novel, “The Scrapbook,” considers young love as buffeted by historical ruptures.

An influential photography critic, she wrote essays, newspaper columns and books, including a notable biography of the photojournalist Margaret Bourke-White.

Each age has its own way of drawing the arc of a human life. Ours is concerned with its unpredictability.

In Karim Dimechkie’s “The Uproar,” the best-laid plans meet worst-case scenarios again and again.

Joe Westmoreland captures the pleasures and pains of American wanderlust in his forgotten classic “Tramps Like Us.”

He used biblical exegesis to argue that faith demands justice, calling on churches to challenge oppression and uplift society’s marginalized.

Her lawyers urged that she keep her testimony short. With legal victories in hand, she’s sharing her life story, and what it was like on the stand.

Call it autofiction, supernatural or a comedy of dislocation: In “The Sisters,” Jonas Hassen Khemiri takes his biggest swing yet.