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Recent books by Ghostface Killah, Kathleen Hanna, Michael McDonald and Darius Rucker hit notes both high and low.

In “Alice Sadie Celine,” Sarah Blakley-Cartwright’s first novel for adults, a lauded feminist becomes entangled with her daughter’s best friend.

The actor’s audio-only memoir delivers songs, stories and scenes with humor and vulnerability.

The audiobook might be less, well, useful than it is entertainingly honest, unfiltered and even bizarre.

The actor reads “Collision of Power,” a new memoir by the famed former editor of The Washington Post and The Boston Globe.

The actor reads Michael Cunningham’s “Day,” a novel that visits a husband, wife and brother on the same day in April over three years.

The writer and public intellectual reads “Doppelganger,” a searching exploration of uncanny doubles both personal and political.

In this Sarah Pekkanen’s “Gone Tonight,” a mother’s deceptions set off a deadly game with her adult daughter.

Reading her audiobook memoir, “How to Say Babylon,” the poet gives voice to her Jamaican roots, her early ambition and the Rastafari father who would have quashed it.

A new recording revisits the late Binyavanga Wainaina’s rhetorical strength and disarming humor in a collection of essays, stories and satire.