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In different ways, Saskia Hamilton’s “All Souls,” Robyn Schiff’s “Information Desk” and Major Jackson’s “Razzle Dazzle” contend with the creative impulse and the human condition.

Danez Smith’s “Bluff” represents a notable turning point for the poet — and maybe for American poetry as a whole.

John Koethe spent decades as a philosophy professor. The poems in his latest collection, “Cemeteries and Galaxies,” are full of reflection and digression and probing.

With “Context Collapse,” Ryan Ruby aims to explain poetry’s origins and its waves of innovation all the way to the present.

In “Helen of Troy, 1993,” the poet Maria Zoccola relocates a figure from Greek mythology into small-town Tennessee.

In his latest collection, Paul Muldoon continues his longtime trick of marshaling obscure references into fluent, fun and rollicking lyrics.

In his latest collection, the Pulitzer winner Carl Phillips relies on sinuous language to evoke love, heartache and the passing of the years.

In “The Sorrow Apartments,” Andrea Cohen’s signature maneuver is a kind of twist that shifts a poem away from the ending that seems to be coming.

The title of Taylor Swift’s next album, “The Tortured Poets Department,” spurred strong responses from a typically quiet bunch.

From lying about evidence to implying leniency in exchange for a confession.