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The Nobel Prize winner writes about characters trying to transcend their worldly lives.

He won two Pulitzer Prizes by transforming accounts of doctors at work into in-depth, narrative articles that read like dramatic short stories.

Your imaginary audience has a note taped to them: “I can’t read. I can’t talk. I don’t care about stories, plots or characters. What do you have for me?”

Experts weigh in on the true meaning of boundaries, and how they should and shouldn't be used.

The texts show Hill allegedly trying to control what Brady posts on social media and who she hangs out with.

Call it autofiction, supernatural or a comedy of dislocation: In “The Sisters,” Jonas Hassen Khemiri takes his biggest swing yet.

“When you’re creating your own company, if you aren't hands on then other people have excuses as to why it didn't work out."

And we're fully mesmerized.

The composer Matthew Aucoin, Graham’s former student, and the director Peter Sellars have adapted her poems into the operatic “Music for New Bodies.”

In his latest novel, “The Living and the Rest,” José Eduardo Agualusa takes readers to a literary festival in Africa where novelists’ characters come to life.