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“No one should be surprised by a writer’s library,” says the author of the Maisie Dobbs series, about a World War I battlefield nurse turned private investigator. The series’ 18th and final book is “The Comfort of Ghosts.”

“No one should be surprised by a writer’s library,” says the author of the Maisie Dobbs series, about a World War I battlefield nurse turned private investigator. The series’ 18th and final book is “The Comfort of Ghosts.”

“That you could collaborate with others and go out for boba tea was quite revelatory,” says the author of “The Expatriates,” which Nicole Kidman has produced (and stars in) for Amazon this month.

This “huge” fan of the writer (and of Nicolas Cage) says he “pretty much hated” “The Passenger” and “Stella Maris.” His own new novel is “People Like Us.”

“Language, specific to the writer’s voice, rhythmic, weighted, moves me,” says the author, whose new novel is “Night Watch.” “Language is always the living soul of a narrative.”

A novel within a novel fueled her hit thriller, “The Plot.” Keeping the stories straight was even harder for “The Sequel.”

“I read them the way that people surf the internet today, maybe,” says the Wilco frontman, whose new memoir is “World Within a Song.” “So I know everything.”

“It is perhaps the most relaxing thing that I’ve ever done,” says the actress, whose new book of essays is “Lifeform.” She thanks her own mother for the gift of Margaret Atwood.

Finishing “The Portrait of a Lady” leaves the author of “Old Crimes,” a new story collection, “a little more confident.” Meanwhile, Rod Serling has a place on her shelves.

“Good choice, Daddy. Very nice,” she said sarcastically, given what he was making for dinner. The chef and humanitarian’s new book is “Change the Recipe.”