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“Why can’t ballet be a roller coaster?” Helen Pickett said of her and James Bonas’s full-length work, premiering this week at American Ballet Theater.

In the poetry marketplace, her praise had reputation-making power, while her disapproval could be withering.

She devoted her life to showing us how and why.

“I am weak from so much internal bleeding,” the novelist wrote to his lawyer. “Have been a good boy and tried to rest.”

Coming to auction is a clattering collection of machines once owned by the likes of Ernest Hemingway, Shirley Temple, Andy Rooney and … the Unabomber.

A patron saint of exquisite verbosity, James made a career examining the clash of American innocence with European cunning. Here are his best works.

Henry Kissinger was one of the US empire's proudest, most prolifically murderous foot soldiers.

Virginie Despentes is pivoting to theater. Playgoers “really show up, even for demanding or radical works,” she says.

He emerged after World War II as a promising young writer exploring the emotional lives of ordinary men and women and the complexities of Jewish identity in America.

Part of the generation of Norman Mailer and Philip Roth, he explored the lives of ordinary men and women and the complexities of Jewish identity in America.