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In her sweeping second novel, “The Wilderness,” Angela Flournoy inhabits a quartet of shifting perspectives with wit, tenderness and exquisite grace.

Teddy Wayne takes a swing at sex, class and sporty intrigue in his latest novel, “The Winner.”

In the small-scale world of Laura Amy Schlitz’s novel “The Winter of the Dollhouse,” the emotional stakes are both intimate and enormous.

In “The Witch of New York,” Alex Hortis revisits a Staten Island case that helped usher in a lurid new era of journalism.

Part horror, part fable, the latest novel by Marie NDiaye to be translated into English is an exacting portrait of domestic entrapment and psychological turmoil.

In this family saga, a floundering lawyer must tap into her supernatural heritage to help her family in the past and present.

Inspired by events in East Anglia, England, in 1645, “The Witching Tide,” by Margaret Meyer, evokes the climate of fear and accusation that grips a town with the arrival of a “witchfinder.”

In “The Wives,” Simone Gorrindo tells the story of joining a behind-the-scenes sorority — and how it changed her.

“The Wolves of Eternity” wrestles with conflicting worldviews in a tale of intersecting lives.

In “The Woman Who Knew Everyone,” Meryl Gordon offers a thorough biography of Perle Mesta, Washington’s colorful, and oft-mocked, “hostess with the mostes’.”