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Judith Butler’s new book, “Who’s Afraid of Gender?,” tries to turn down the heat on an inflamed argument.

In Charlotte McConaghy’s novel “Wild Dark Shore,” the caretakers of a remote research base brave an escalating crisis.

In her new book, the historian Tiya Miles shows how formative outdoor experiences helped diverse women — from Harriet Tubman to Indigenous athletes — transcend prescribed social and gender roles.

Colin Barrett’s first novel, “Wild Houses,” follows young, desperate characters in small-town Ireland.

In “Wild Thing,” Sue Prideaux draws on recently discovered source material, delivering an enthralling account of an artist whose life was as inventive as his art.

In “Will There Ever Be Another You,” Patricia Lockwood recounts the pandemic’s devastating effects on her life.

In Mason Coile’s new horror novel, “William,” an intelligent robot begins to lead its feckless creator to terrible places in the name of “freedom.”

Jonny Steinberg tells the story of Nelson Mandela and Winnie Madikizela-Mandela at a moment when a new generation is reassessing their legacies.

In “Winston and the Windsors,” the prolific biographer Andrew Morton, perhaps inevitably, tackles two British behemoths.

Grady Hendrix’s new novel, “Witchcraft for Wayward Girls,” is a timely look at the mistreatment of women, with a dose of horror, monsters and magic.