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In “The Great Contradiction,” the Pulitzer Prize-winning historian looks at the way the founders wrestled with the fate of human bondage.

In “The Great Math War,” Jason Socrates Bardi takes on a battle for the soul of numbers that divided the experts of its day.

With the first volume of a new series and an instructional book on magic, the “Watchmen” author wants an imaginary revolution.

In “The Great White Bard,” Farah Karim-Cooper maintains that close attention to race, and racism, will only deepen engagement with the playwright’s canon.

In “The Greatest Capitalist Who Ever Lived,” Ralph Watson McElvenny and Marc Wortman show how Oedipal battles fueled the company’s technological triumphs in the 1960s and beyond.

In “The Gunfighters,” the journalist Bryan Burrough offers a lively look at the legends and myths of the Wild West.

Now unjustly overlooked, “The Ha-Ha” is the prizewinning first novel by Jennifer Dawson, an accomplished mid-20th-century chronicler of women and madness.

In “The Halt During the Chase,” by Rosemary Tonks — first published in 1972, and newly reissued — a young woman goes in search of herself.

“The Hammer” offers portraits of organizing efforts from around the country at a time when the future of union power has reached an inflection point.

McKenzie Funk’s “The Hank Show” follows the improbable career of one man, and the surveillance state he helped create.