In the unsentimental memoir “The Golden Hour,” Matthew Specktor ponders, among others, the father who succeeded in a punishing business now in its waning glory.
In “The Great White Bard,” Farah Karim-Cooper maintains that close attention to race, and racism, will only deepen engagement with the playwright’s canon.
In “The Greatest Capitalist Who Ever Lived,” Ralph Watson McElvenny and Marc Wortman show how Oedipal battles fueled the company’s technological triumphs in the 1960s and beyond.