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Her first novel, “Ask Me Again,” follows a young woman from high school in New York City to an elite university, to her early adulthood among the political class in Washington, D.C.

Maureen Callahan’s lurid “Ask Not” paints the Kennedys as mad, bad and dangerous for women to know.

In Arianna Reiche’s debut novel, “At the End of Every Day,” a death at an amusement park leads to the discovery of a mysterious underworld lurking beneath the attractions.

In Arianna Reiche’s debut novel, “At the End of Every Day,” a death at an amusement park leads to the discovery of a mysterious underworld lurking beneath the attractions.

A new memoir by the onetime national security adviser shows how the former president’s insecurities and weaknesses harmed U.S. foreign policy.

In a new collection, Lydia Millet casts a satirical eye on left-wing culture and its array of character types.

The first major biography of the playwright recounts his life and boundless vision.

In a new collection, Etgar Keret offers tales of humanity in the strangest of circumstances.

In “Autocracy, Inc.,” the Pulitzer Prize-winning historian takes account of the financial institutions and trade deals that have helped spread tyranny across the world.

In “Bad Animals,” Sarah Braunstein asks who has the right to tell a story — and whether it’s possible to get pulled into one against your will.