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A new book surveys a range of creative output, collectively replacing outdated narratives of Indigenous cultures with the perspectives of the artists themselves.

In “Anansi’s Gold,” Yepoka Yeebo delves into the origins of a venerable scam — and the man who got away with it for decades.

Two new books grapple with the questions of who we are, what we are, whether we are — and what we can do for one another.

In “Anita de Monte Laughs Last,” by Xochitl Gonzalez, two Latina women working a decade apart fight to break out in the New York art scene.

Sierra Greer’s debut novel, “Annie Bot,” explores questions of misogyny and toxic masculinity by following a pleasure robot that begins to develop her own consciousness.

In what the author says is his last novel, both a family and a society are on the verge of collapse.

Caryl Phillips’s new novel, “Another Man in the Street,” follows an immigrant who arrives in 1960s London.

In her third essay collection, the poet and critic Elisa Gabbert celebrates literature and life through a voracious engagement with the world.

The South Korean writer Gu Byeong-Mo’s novel “Apartment Women” imagines a commune of young families with a short fuse.

In “Apple in China,” Patrick McGee argues that by training an army of manufacturers in a “ruthless authoritarian state,” the company has created an existential vulnerability for the entire world.