NYT Books

In a new memoir, the former Democratic senator from West Virginia defends his centrist politics, portraying himself as a high-minded public servant with unshakable convictions.

The Yale law professor Justin Driver considers the legal arguments for and against the policy, as well as alternative ways to ensure diversity on campuses.

It’s not quite #MeToo, but a spate of new memoirs is forcing a reckoning on what consent means when your parent is the artist.

With echoes of “Never Let Me Go” and “The Goldfinch,” Catherine Chidgey’s devastating new novel watches young lives get twisted into unnatural shape.

The drama, which has had two runs in Britain, won London’s Olivier Award for best new play earlier this year.

In a frank memoir, Drew Nieporent looks back at a half-century career that’s produced signature New York restaurants like Montrachet and Tribeca Grill.

In her sweeping second novel, “The Wilderness,” Angela Flournoy inhabits a quartet of shifting perspectives with wit, tenderness and exquisite grace.

Robert Munsch wrote “The Paper Bag Princess,” “Love You Forever” and other classics by performing them over and over for kids. But his stories are slipping away.

The author “isn’t shy about his opinions,” as one director put it. But he gives filmmakers a wide berth and they have to decide what to put onscreen.

In “Born Equal,” Akhil Reed Amar paints a sprawling portrait of 19th-century America in thrall to its founding moment.