The Polish best seller “Hexes of the Deadwood Forest” is like a post-porn fever dream of Eastern European magic realism crossed with a plant-based “Joy of Sex.”
Since the late ’70s, the bassist has worked to map a musical route that mirrored the trans-Atlantic slave trade and birthed nearly all of American popular music.
In “Here Where We Live Is Our Country,” Molly Crabapple tells the story of a Jewish labor movement that fought antisemitism and nationalism with equal fervor.