NYT Books

Candid memoirs by Henry Winkler and John Stamos reveal how lucky breaks — and Yale training, and a curling iron — made them into household names.

Authorized by the Orwell estate, “Julia,” by Sandra Newman, revisits the events of the dystopian classic, this time as seen by Winston Smith’s love interest.

The organization put the series on pause after several writers withdrew from events to protest its decision not to hold a reading last week with an author who had criticized Israel.

The organization put its literary series on pause after its decision not to hold an event last week with an author who had criticized Israel prompted an outcry from other writers.

Michael MacCambridge’s “The Big Time” rewinds to the ’70s, when showy personalities and compelling rivalries turned sports into mass entertainment.

He wanted to put a face on the source of cells that led to striking medical advances, and through him a best seller and a movie did just that, telling Mrs. Lacks’s story.

Tim O’Brien’s manic satire follows a disgraced journalist on a criminal road trip through a myth-addled nation.

In different ways, Saskia Hamilton’s “All Souls,” Robyn Schiff’s “Information Desk” and Major Jackson’s “Razzle Dazzle” contend with the creative impulse and the human condition.

In “Endangered Eating,” the food historian Sarah Lohman explores the onetime staples disappearing from our tables.

In “Opposable Thumbs,” Matt Singer recalls the risky business of putting newspaper movie critics on TV — and the “combustible chemistry” that made it a hit.