Kathryn Stockett’s prodigious second novel, “The Calamity Club,” brings together an unlikely group of spinsters, sex workers and orphans in Depression-era Mississippi.
In “The Successor,” the exiled journalist Mikhail Fishman tells the story of a charming Russian politician who might have made his country into a liberal democracy.
In her memoir “Backtalker,” Kimberlé Williams Crenshaw shows how personal trauma spurred her influential and controversial ideas about race and gender.
“When I love something, I urgently must put it in someone’s hands,” says the novelist, whose new “Last Night in Brooklyn” is an ode to old-style friendship.