NYT Books

The Museo Bodoniano in Parma, Italy, is a mecca for one of the world’s most enduring, and ubiquitous, typefaces. Meet Giambattista Bodoni, the “prince of typography.”

Rita Bullwinkel’s debut novel, “Headshot,” spotlights eight boxers in a national tournament and the struggles of their inner lives.

He wrote with the kind of clarity that was as comforting as it was chastising. Here’s where to start.

A new survey shows that more people of color are working in the book business, but the industry remains overwhelmingly white.

In her new memoir, “Grief Is for People,” Sloane Crosley works through the death of a beloved friend and mentor.

In “Means of Control” and “The Sentinel State,” modern governments wield high-tech snooping gear while relying on old methods of social surveillance.

In “Normal Women,” Philippa Gregory gives us nine centuries of real-life heroines, murderers, boxers and brides.

Art by Moebius, a Christmas card by Gaiman and a Swamp Thing cover are among the items.

The Oscar-nominated film is based on a 1992 book by the prolific Scotsman Alasdair Gray. Beloved by writers, “that’s not the same as being widely read,” says one of them.

In “Shakespeare’s Sisters,” the Renaissance scholar Ramie Targoff presents an astounding group of Elizabethan women of letters.