NYT Books

The decision to find a “respectful final disposition” for human remains used for a 19th-century book comes amid growing scrutiny of their presence in museum collections.

In his unsparing novel “Wolf at the Table,” Adam Rapp observes a household in denial about the dark force growing up in its midst.

A poet, publisher and professor, she channeled the revolutionary spirit and deconstructionist currents of the 1960s to challenge the conventions of poetry.

As “Carrie” turns 50, George R.R. Martin, Sissy Spacek, Tom Hanks, the Archbishop of Canterbury and others recall the powerful impact the writer’s work has had on their lives.

The author has dominated horror fiction, and arguably all popular fiction, for decades. Here’s where to start.

In “The Anxious Generation,” Jonathan Haidt says we’re failing children — and takes a firm stand against tech.

In her first essay collection, Becca Rothfeld demonstrates that sometimes, more really is more.

Stephen Breyer means well. Why is his new book, “Reading the Constitution,” so exasperating?

In “Death Row Welcomes You,” Steven Hale follows the cases of men in an American prison awaiting execution, examining what they did as well as the people they’ve become.

Crafting the arguments in “You Get What You Pay For,” her first essay collection, “felt like pulling apart a long piece of taffy,” says the author of “Magical Negro.”