NYT Books

“I don’t want other people to miss out on the wisdom and joy this genre has to offer, the way I did for so long,” says the best-selling novelist. “Funny Story,” about a heartsore librarian and the new man in her life, is out next week.

He and his wife wrote pioneering studies; he used the term “coercive control” to describe psychological and physical dominance by abusers.

Ed Piskor, 41, was known for his detailed “Hip Hop Family Tree” and “X-Men: Grand Design.” A Pittsburgh gallery didn’t open an exhibition of his work after the initial allegation.

Anna Shechtman’s new memoir-history hybrid, “The Riddles of the Sphinx,” explores the gender politics behind one of the world’s most popular word games.

In her novels and story collections, she took a sharp, lightly ironic look at the class from which she came, the Southern upper bourgeoisie.

He questioned the findings of the Warren Commission, called Edward Snowden a prized Russian asset and exposed the diamond industry’s economic impact.

Elon Musk thinks a free market of ideas will self-correct. Liberals want to regulate it. Both are missing a deeper predicament.

He led a movement that rejected historiography’s traditional emphasis on great events and leaders in favor of mining the “mental universe” of peasants, merchants and clergymen.

Taboos about what can’t be shown in picture books vary around the world.

The political artist drew some of the most provocative images of the Trump presidency. “Worm,” his new graphic memoir of emigrating from Cuba to the U.S., skewers the powerful once more.