“The Testaments” focuses on a younger generation coming of age inside Gilead, the religious regime first imagined in Margaret Atwood’s 1985 dystopian thriller.
“Antigone” gave us the original “bad girl,” but its themes go beyond that. How do adaptations keep making Sophocles’ ideas about democracy and theater new?
Phil Lord and Christopher Miller, best known for animations like the “Spider-Verse” films, took lessons from “Solo: A Star Wars Story,” a project from which they were dismissed.
The playwright and his collaborator André Gregory are together again, delivering a sumptuous set of interlinked monologues about life, death and betrayal.