A respected literary magazine has published an award-winning short story many readers believe to be generated by artificial intelligence. Experts aren’t all so sure.
“The Testaments” focuses on a younger generation coming of age inside Gilead, the religious regime first imagined in Margaret Atwood’s 1985 dystopian thriller.
“Antigone” gave us the original “bad girl,” but its themes go beyond that. How do adaptations keep making Sophocles’ ideas about democracy and theater new?