NYT Books

In “The Sorrow Apartments,” Andrea Cohen’s signature maneuver is a kind of twist that shifts a poem away from the ending that seems to be coming.

At 87, the dapper insider is releasing a new book of interviews conducted in 1980 and 1981 with the band and people nearest to it.

He rebelled against efforts to force African ways of thinking into the European worldview. His thoughts had the effect of a bomb in African intellectual life.

Her winsome animal characters and their comic adventures expressed universal truths and feelings, rendered in a naïve and often surrealistic style.

The novelist talks about his new book, “Wandering Stars,” which offers a view of Native American history through one character’s family story.

A new survey shows that more people of color are working in the book business, but the industry remains overwhelmingly white.

The poems in Mary Jo Bang’s latest collection, “A Film in Which I Play Everyone,” are full of pleasure, color, sound and light — but also torment.

The title of Taylor Swift’s next album, “The Tortured Poets Department,” spurred strong responses from a typically quiet bunch.

How John Lewis and Coretta Scott King embodied the Rev. Dr. Martin Luther King Jr.’s legacy while each creating their own.

Louise Glück’s mode of lamentation was her signature, and it seems fitting that one of her poems occasions the end of this column, after nine years.