Men’s personal narratives are dissected; women’s are “dismissed as merely autofiction or memoir,” says the author of “The Light Room: On Art and Care.” Her 2012 “Heroines” has just been reissued.
Some familiar San Franciscans turn up in the British countryside in “Mona of the Manor,” which the author vows is the 10th, and last, in the series: “That has a nice symmetry.”
The feisty title character of her new book, “Ferris,” has a sharp eye for detail, and so, its author hopes, does she. Meanwhile, she is on an Alice McDermott reading jag.
“I’ve been prank-calling Justin Torres for like two decades,” says the poet and performer, whose new book is called “Ten Bridges I’ve Burnt: A Memoir in Verse.”
“Only then can I surrender to the spell of reading,” says the director of “Glory” and the author of “Hits, Flops and Other Illusions: My Fortysomething Years in Hollywood.”
“That you could collaborate with others and go out for boba tea was quite revelatory,” says the author of “The Expatriates,” which Nicole Kidman has produced (and stars in) for Amazon this month.
Finishing “The Portrait of a Lady” leaves the author of “Old Crimes,” a new story collection, “a little more confident.” Meanwhile, Rod Serling has a place on her shelves.