NYT Books

The Broadway play “Punch” retells the true story of a fatal blow and how restorative justice brought healing to the parents and to the young man who threw the punch.

The novelist, who wrote about World War II in “Atonement” and has turned repeatedly to his own times, imagines the 22nd century in his new book, “What We Can Know.”

In a new book, two longtime fashion editors — along with Oprah Winfrey, Jamie Lee Curtis and Katie Couric — open up about times they got canned.

It’s not quite #MeToo, but a spate of new memoirs is forcing a reckoning on what consent means when your parent is the artist.

A new memoir finds the self-help icon locked in a destructive romantic relationship with her best friend, who relapsed while fighting terminal cancer.

The Heritage Foundation’s clause-by-clause analysis, to be published next month, is an originalist manifesto and a showcase for aspiring Supreme Court nominees.

The author of the Slough House novels — the latest one is “Clown Town” — has an eclectic stack on his nightstand.

Three new books run the gamut from dismissive to alarmed about our automated future.

“Not her politics, but the relentlessness and archness of her characters,” says the prizewinning playwright behind “Stereophonic,” which is now up in London.

He was 40 years old, “so I decided to rewrite it and make it for adults.” He’s now the title character of “The Magician of Tiger Castle.”