NYT Books

Jinwoo Chong’s new novel, “I Leave It Up to You,” is a story of food, family and new beginnings after a tragedy.

The narrator of Ada Calhoun’s autofictional “Crush” strives toward “holiness” — in an extramarital affair.

In Agustina Bazterrica’s new novel, “The Unworthy,” a dystopian future ravaged by climate change has stripped the world of food, water and human connection.

In Laila Lalami’s new novel, a woman finds herself trapped in a nightmarish system of surveillance and detention.

In “Taking Manhattan,” Russell Shorto pays close attention to the darker aspects of colonial life on the island at the center of the world.

“How to End a Story” collects three volumes of the Australian novelist’s self-conscious, sometimes harrowing journals.

Two new memoirs show the commonalities — and differences — in the end of every marriage.

In Jeremy Gordon’s novel, “See Friendship,” a journalist reinvestigates his past, only to discover the story he was told about his friend’s death wasn’t true.

In Charlotte McConaghy’s novel “Wild Dark Shore,” the caretakers of a remote research base brave an escalating crisis.

In her memoir, “Raising Hare,” Chloe Dalton describes how a leveret changed her outlook on life during the pandemic and beyond.