NYT Books

In “Here Where We Live Is Our Country,” Molly Crabapple tells the story of a Jewish labor movement that fought antisemitism and nationalism with equal fervor.

The lexicographer Kory Stamper’s “True Color” is a sneakily insightful philosophical treatise on what it means to define anything at all.

Yann Martel’s “Son of Nobody” joins many recent books that reimagine the classics, but offers a Nabokovian twist.

With “Transcription,” the writer makes a case for the vitality of the form.

Matt Phelan’s bear cub named Bartleby and Scott Rothman’s judgy bunny aren’t wicked or misbehaved. Like our reviewer, they simply prefer not to.

In anticipation of the nation’s 250th anniversary, a Pulitzer winner visited 300 sites to see how history is displayed and, sometimes, erased.

Part horror, part fable, the latest novel by Marie NDiaye to be translated into English is an exacting portrait of domestic entrapment and psychological turmoil.

The sloppy, solipsistic narrator of Kirsten King’s novel, “A Good Person,” casts a witchy spell on a guy who dumped her. Hours later, he’s been stabbed to death.

Samuel Pepys’s journals are an invaluable record of British history. A new book reconsiders his infamous sexual exploits.

In “Transcription,” Ben Lerner considers a famous father, a loyal protégé and a distant son, bound by devotion and separated by miscommunication.