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The journalist Richard Behar communicated extensively with the disgraced financier. His rigorous if irreverent book acknowledges his subject’s humanity.

Mary Gabriel’s biography is as thorough as its subject is disciplined. But in relentlessly defending the superstar, where’s the party?

In Chelsea Bieker’s new novel, “Madwoman,” a woman is no longer able to keep the demons of her childhood out of her present.

Roland Lazenby’s big biography of Magic Johnson gives us a wealth of detail, a huge cast of characters and, in a way, the tapestry of our time.

In his fond memoir “Making It So,” the actor traces the path from the working class to the Shakespearean stage to “Star Trek” superstardom.

In “Making the Presidency,” Lindsay M. Chervinsky argues that John Adams established what it means to be America’s commander in chief.

In Marcela Fuentes’s novel, “Malas,” a troubled teenager finds refuge in music and in a recluse with a dark history.

In a world worth exploring, our reviewer argues, an occasional spill is the price of admission.

The protagonist of Eva Baltasar’s novel “Mammoth” contains multitudes, and that’s the way she likes it.

In Lionel Shriver’s new novel, judging intelligence and competence is a form of bigotry.