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Jonathan Raban’s “Father and Son” is a memoir of illness and recovery paired with a parental history.

“Fear Is Just a Word,” by the New York Times reporter Azam Ahmed, tells the story of a woman determined to avenge her daughter’s death at the hands of a drug cartel.

“Fearless and Free,” recorded between 1926 and 1949, is full of heroism, glamour, righteous anger — and things you wish you could unsee.

In “Feast While You Can,” two women who have long been nemeses rely on each other to face an ancient terror that has re-emerged.

Misery makes for good company in Shalom Auslander’s second memoir, which finds him self-deprecating, drug-dabbling, envious and, oy, middle-aged.

In “Ferris,” a girl and her grandmother are visited by a friendly ghost; in Erin Entrada Kelly’s “The First State of Being,” a boy is visited by a time traveler.

Toby Lloyd centers religion and politics in his novel, “Fervor,” but with a light, mystical touch.

“Fever Beach” is a wacky blend of Floridian farce and the perverse politics of our time.

In “Fi,” Alexandra Fuller describes the sudden death of her 21-year-old.

As recounted in Jennet Conant’s biography, Marguerite Higgins played the high-stakes game of journalism in a man’s world.