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R.O. Kwon’s second novel, “Exhibit,” sees two Korean American women finding pleasure in a bond that knits creative expression and sadomasochism.

In her new memoir, “Exit Interview,” Kristi Coulter details her time working at the company, connecting her experience to the larger history of women’s employment struggles.

The stories in Marie-Helene Bertino’s new collection, “Exit Zero,” frolic in the nether zone between fantasy and reality.

Taylor Lorenz’s “Extremely Online” charts the internet phenomena that have shaped the 21st century, focusing not on the platforms but on the users.

In her perceptive cultural history, “Eyeliner,” Zahra Hankir shows that liquid versus pencil is only the beginning.

Louise Hegarty’s novel, “Fair Play,” nods to classic 1920s detective fiction, with a twist.

Leigh Claire La Berge’s memoir looks back at her stint as a consultant for a Fortune 500 company at the turn of the millennium: “Is this how companies are put together?”

Paul Thomas Murphy’s “Falling Rocket” focuses on the explosive trial that divided the London art world.

Jean Strouse’s brisk, wise “Family Romance” takes on the painter’s relationship to the Wertheimers, a vast Jewish clan he immortalized on canvas.

In “Fat Leonard,” Craig Whitlock investigates one of the worst corruption scandals in U.S. military history.